*RHYTHMS OF TRADITION: CHINAMHORA AND NGOMAKURIRA`S QUEST TO PROMOTE ZIMBABWEAN* *CULTURE* *Introduction** In the rich cultural landscape of Zimbabwe, one name resonates with the haunting melodies of the Mbira music - Chinamhora of Ngomakurira Mbira Group, born Nathan Guwa, a proud bearer of the Soko Mukanya totem. With roots tracing back to the esteemed Chieftainship of Chinhamora, under the ancestral guidance of Chief Chinamora, Headman Gwindi, and Village Head Guwa, Nathan`s journey began on January 7 1985, at Makumbe Hospital in Domboshava. Shaped by life`s trials, including the loss of his father, John Mapfumo Guwa in 1993 and his mother, Francesca Nyakudya (Moyo Dhewa) in 2000, Nathan`s story is one of resilience and heritage. As he takes on the stage-name Chinamhora, he embodies the spirit of his ancestors. Carrying forward the legacy of the mbira and the traditions that define his people. *Chinamora`s Mbira Journey* Nathan Guwa`s journey into the enchanting world of Mbira music is a testament to his heritage and dedication. Born into a family steeped in musical tradition, Nathan`s father was a skilled Mbira player who instilled in him an innate talent for the instrument. After his father`s passing, Nathan`s uncle, Smart Albert Nyakudya, a respected traditional leader and healer in Chitungwiza`s Zengeza 3, took him under his wing and taught him the intricacies of Mbira playing. As a young boy, Nathan would often attend Bira ceremonies at his uncle`s homestead, immersing himself in the rhythms and melodies of the Mbira. His early exposure to the instrument allowed him to pick up the skills quickly, and by the age of 12, he was already playing Mbira at various Bira ceremonies with Sekuru Nyakudya. Nathan`s musical prowess soon expanded to include playing the Hosho and drums, making him a versatile and valuable member of any Mbira group. *Key milestones in Nathan`s Mbira journey:* Nathan Guwa`s early beginnings were deeply rooted in the rich cultural heritage of Zimbabwean Mbira music, where he developed a passion for the instrument at a tender age by attending Bira ceremonies, traditional gatherings that invoke ancestral spirits through music. These events, filled with the mesmerizing sounds of the Mbira, Hosho, and drums, did not only captivate Nathan but also instilled in him a desire to learn and master the Mbira. His journey took a significant turn when he began training with his uncle, Smart Albert Nyakudya, a respected traditional leader and healer in Chitungwiza`s Zengeza 3. Under his uncle`s guidance, Nathan learned the intricacies of Mbira playing, building on the foundation laid by his father, who was also a skilled Mbira player. This early exposure allowed Nathan to pick up the skills quickly, and by the age of 12, he was already playing Mbira at various Bira ceremonies with Sekuru Nyakudya, demonstrating a natural affinity for the instrument. As he progressed, Nathan`s musical prowess expanded to include playing the Hosho and Drums, making him a versatile member of any Mbira Music group and setting the stage for his future endeavours in the world of Mbira music. *Playing with various groups:* • *Mazingidzi Mbira Group* Joined the group in St. Mary`s, playing Mbira and other instruments. • *Mupamombe Mbira Crew* Collaborated with Lovemore Jaji`s group in Mayambara, performing at various ceremonies • *Nherera Vauya* Played drums with Sekuru Newton Matemai`s group • *Dingindira reMahororo* Formed a group with Crossroads International, performing at Mushandirapamwe Hotel in 2006. • *Madendera ekumabva Zuva* Joined Lovemore Salary`s group, further honing his skills. *NGOMAKURIRA MBIRA GROUP* Nathan Guwa`s perseverance and passion for Mbira music have been instrumental in shaping his journey, ultimately leading to the formation of his own group, Ngomakurira, in 2022. Named after the iconic Ngomakurira Mountain in Domboshava, the group is a testament to Nathan`s dedication to reviving and preserving Zimbabwe`s rich cultural heritage. With roots tracing back to his early exposure to Bira ceremonies and mentorship from his uncle, Smart Albert Nyakudya, Nathan`s musical prowess has evolved significantly. His group, Ngomakurira, has achieved notable success, including a performance at the prestigious Chivavarira Mbira Festival in 2024 at the National Arts Gallery. Furthermore, Ngomakurira is registered with the National Arts Council, solidifying its position within Zimbabwe`s vibrant arts scene. Through Ngomakurira, Nathan continues to play deep Mbira music, not only entertaining audiences but also contributing to the preservation and promotion of Zimbabwean culture. As a respected figure in Zimbabwe`s Mbira music scene, Nathan Guwa carries forward the legacy of his ancestors, inspiring a new generation of musicians and music enthusiasts alike. *Message to Mbira Players* • *Unity and Respect:* Mbira players should work together as a family, avoiding divisions and promoting mutual respect. This unity is crucial in preserving the cultural significance of Mbira playing. • *Cultural Preservation:* Mbira players should focus on preserving their cultural heritage by playing traditional music and avoiding external influences like guitar beats. This helps maintain the authenticity and spiritual connection of Mbira music. • *Personal Conduct:* Mbira players should uphold a dignified personal conduct, reflecting the instrument`s cultural significance and deep roots in ancestral respect. This entails avoiding behaviours that may tarnish the reputation of the craft, such as prostitution, which violates human dignity. Instead, mbira players should prioritize *personal hygiene and cleanliness (physically and spiritually),* ensuring they present themselves respectfully, especially during ceremonies and performances. In line with *Ubuntu/Hunhuism,* a philosophy emphasizing community, respect, and interconnectedness, mbira players are expected to embody values such as follows: 1. *Respect for Ancestors* Demonstrating reverence for ancestors and acknowledging the spiritual significance of the mbira in communicating with ancestral spirits. 2. *Community-oriented* Prioritizing community well-being and using their craft to promote social cohesion and cultural identity. 3. *Integrity and Dignity* Conducting themselves with integrity, avoiding behaviours that may bring shame or dishonour to themselves, their community, or the craft, while fostering a positive reputation for mbira music. • *Inclusivity:* Mbira music should be accessible to everyone, with songs that cater to all age groups. This inclusivity helps promote the cultural values and traditions associated with Mbira playing. • *Spiritual Connection* Mbira players should strive to connect with their ancestral spirits, especially during Bira ceremonies. This spiritual connection is vital in maintaining the cultural significance and traditional values of Mbira music. *Discography* Chinhamora and Ngomakurira are excited to announce that they`re working on a new recording project, with studio sessions scheduled soon. The upcoming album, titled “Dzimbahwe on the Way”, promises to be a significant milestone in their musical journey. To bring this project to life, they are seeking funding and sponsorship opportunities. *Chinamora`s Message* 1. *Respecting Our Heritage:* As Zimbabweans, cherishing our cultural music and values is crucial for building a brighter future. Our heritage provides essential life skills, such as respect for the elders and leadership, while promoting environmental stewardship. Through embracing our traditions, we can foster a sense of community and cultural identity. Zimbabwe`s rich musical heritage, including Mbira music, plays a significant role in shaping our values and traditions. Mbira music, with its spiritual significance and intricate polyrhythms, is an integral part of Shona culture, serving as a means of storytelling, preserving history, and folklore, and connecting the community with ancestral spirits. Our cultural values emphasize respect for elders, leadership, and the environment, which are vital for promoting social cohesion and responsible citizenship. Through preserving and promoting our cultural heritage, we can ensure the continuation of these values and traditions. Furthermore, traditional music and dance have significantly influenced modern Zimbabwean music, with many contemporary artists drawing inspiration from traditional rhythms and melodies. This blend of traditional and modern sounds has created a unique musical landscape that showcases Zimbabwe`s rich cultural diversity. 2. *Recognition and Promotion:* * We urge the government to recognize Mbira as a valuable heritage, as designated by UNESCO, and provide platforms to showcase our music at national events like Heroes` Day and Independence Day celebrations. Through promoting authentic Mbira music, free from external influences, we can preserve Zimbabwe`s cultural identity and provide opportunities for artists to share their talents with a broader audience. To achieve this, we propose reviving the tradition of featuring Mbira music on radio stations, which was once a staple of Zimbabwean broadcasting but has sadly dwindled over time. Additionally, we suggest collaborating with UNESCO to promote Mbira music and preserve cultural heritage, organizing music festivals that celebrate Mbira and traditional Zimbabwean music, and developing cultural exchange programs to promote cross-cultural understanding and appreciation of Zimbabwean music. These initiatives will not only promote cultural awareness but also support the growth and development of Mbira music in Zimbabwe. *Conclusion* In conclusion, Nathan Guwa, known as Chinamhora, is a master mbira player who embodies the spirit of Zimbabwe`s rich cultural heritage. Through his group, Ngomakurira, he preserves and promotes traditional mbira music, while inspiring a new generation of musicians. Chinamhora`s journey highlights the importance of cultural preservation and the role of traditional music in shaping Zimbabwean identity. As he embarks on new musical projects, his dedication to authentic Mbira music serves as a testament to the enduring power of Zimbabwe`s cultural traditions. Through recognizing and supporting Mbira music, we can ensure the continuation of this vital part of Zimbabwe`s heritage. *Compiled By ZICH Research Officer - Charles Mavhunga* *Contact Information* Email address :- *[email protected]* . Mobile phone :- *+263772989816: Follow us on:- *FACEBOOK* *@Zimbabwe Intangible Cultural Heritage* https://www.facebook.com/share/17zXZ2WNmG/?mibextid=wwXIfr *INSTAGRAM* @ *ZICH TV MEDIA* https://www.instagram.com/zichtvmedia/profilecard/?igsh=d3N3ZmlkbTZ4a3E= *TIKTOK* *@ zichtvmedia* https://www.tiktok.com/@zichtvmedia?_t=ZG-8srTiO9lFYH&_r=1 *YOUTUBE* *@ ZICH TV* https://youtube.com/@zichtvmedia?feature=shared 🔄🔄🔄Share our Articles and documentaries with Family and friends